A blog devoted to exploring wines made from unusual grape varieties and/or grown in unfamiliar regions all over the world. All wines are purchased by me from shops in the Boston metro area or directly from wineries that I have visited. If a reviewed bottle is a free sample, that fact is acknowledged prior to the bottle's review. I do not receive any compensation from any of the wineries, wine shops or companies that I mention on the blog.
Showing posts with label Xinomavro. Show all posts
Showing posts with label Xinomavro. Show all posts

Wednesday, April 3, 2013

Weird Blend Wednesday - Xinomavro, Krassato & Stavroto, Rapsani, Greece

Mytikas Peak, the highest point on Mt. Olympus
When I was a kid, I used to love reading about Greek mythology.  The Gods and their stories were so interesting to me and I used to love to imagine what it must have been like for them on Mt. Olympus.  When I got a little older, I was surprised to learn that there was an actual Mt. Olympus in Greece, as I had always assumed it was just some made up place.  It is the highest mountain in Greece and actually has 52 peaks, the highest of which is called Mytikas (pictured at left).  Mytikas reaches a height of 9,570 feet, which makes it about 1/3 the size of Mount Everest, whose highest point is nearly 30,000 feet tall.  I'm pretty sure they don't grow grapes or make wine around Mt. Everest, but they do around Mt. Olympus, and I'd like to take a look at a wine from this area today.

Mt. Olympus is located on the border between the Greek regions of Thessaly and Macedonia in eastern Greece.  Just to the southeast of Mt. Olympus, there's a region called Rapsani which, perhaps unsurprisingly, surrounds a village called Rapsani which was founded in the late 15th Century (possibly from Greeks heading into the mountains to escape the Ottoman invaders).  Both the wine-growing region and the village of Rapsani are located in the foothills of Mt. Olympus, but not all of the vineyards are at altitude.  There are fertile valley floors from sea level to about 100 meters where the legal harvesting limit of seventy hectolitres per hectare is frequently exceeded.  As you might expect, these vineyards tend to produce the least exciting wines.  From about 100 meters to 200 meters, the soil type changes to loess, which is a dusty, sandy kind of soil.  These vineyards are also fairly high yielding and rarely exciting.  At higher elevations, the soil type changes again to a rocky schist and the cooling effect of the altitude starts to have a more noticeable effect on the acidity in the grapes.  The highest quality wines are made from these higher vineyard sites.

Rapsani is the only region in Thessaly that is authorized to make red wines.  The local regulations state that the red wines of Rapsani must be made from equal parts Xinomavro, Krassato and Stavroto.  We've taken a look at Xinomavro before, so interested readers should check out that post for more information on that grape.  Most Xinomavro in Greece is grown at more northerly latitudes, and Rapsani is one of the southernmost outposts for Xinomavro in Greece.  Stavroto, on the other hand, is typically found a little further south than Rapsani, though still mainly in the region of Thessaly.  In The Wines of Greece, Konstantinos Lazarakis describes Stavroto as "difficult to grow," and remarks that "by the time the grapes have reached 11.5 degrees Baumé it is usually half-rotten."  It is lower in sugar, acidity and color than either Xinomavro or Krassato, and Lazarakis remarks that "it is doubtful whether Stavroto imparts any meaningful elements to Rapsani."  Stavroto is also known as Ampelakiotiko Mavro, or "black from Ambelakia village," which is just southwest of the village of Rapsani, but most authorities, including Miles Lambert-Gócs (in his The Wines of the Greece), believe that Stavroto originated in Euboea, an island off the coast of Thessaly further to the southeast.

Krassato Grapes
Of the three grapes used for Rapsani wines, only Krassato is thought to be native to the region. Lazarakis describes Krassato as "relatively deep in colour...high in sugar and rich in dry extract," though Robinson & Co. temper this description in Wine Grapes by noting that Krassato has only moderate acidity and tannins and thus isn't conducive to extended aging.   Which isn't to say that Rapsani wines don't age well.  Xinomavro is rich enough in acidity and tannins that it contributes good structure to the finished wines even when it only makes up 1/3 of the final blend.  The name Krassato comes from the word krasáto, which means "wine-colored," according to Lambert-Gócs.  Like Stavroto, Krassato is mostly found in and around the area of Rapsani, though there are limited plantings just north and south of the region as well.  Unlike Xinomavro, Stavroto and Krassato are almost never made into varietal wines, since both grapes have flaws that usually need blending to even out.  Further, many of the vineyards of Rapsani have all three vines planted together throughout their vineyards, making varietal wine production especially challenging.

I was able to pick up a bottle of the 2008 Rapsani Chrisohoou from my friends at the Spirited Gourmet for around $17. In the glass the wine was a fairly light purple ruby color (I also have it described as deep lavender in my notes, so pretty much a deep light purple, if that makes any sense).  The nose was fairly intense with aromas of wild strawberry, raspberry, tea leaves, and dusty wood.  On the palate the wine was on the fuller side of medium with medium acidity and light tannins.  There were flavors of stewed strawberry, wild raspberry, tart plum, red cherry, black tea and chocolate.  It was a soft, smooth wine with lots of zippy red fruits balanced by some earthy tea and chocolate notes.  Wines featuring the Xinomavro grape can be lean and austere (particularly in their youth), but the addition of the other two grapes to this blend really rounds out the flavor profile.  It's a great food wine that would pair well with lighter meat dishes in fruit sauce.  It may not be the wine of the Gods, but it's certainly a wine that I think Bacchus would approve of from his perch on nearby Olympus. 

Wednesday, May 11, 2011

Xinomavro - Naoussa, Greece

Xinomavro just sounds exotic.  You look at the word with all those rare consonants and rolling syllables and it just feels different somehow.  I was reading through a few wine sites' April Fools posts this past year and the grape that was mentioned the most in their joke posts was Xinomavro by a fairly large margin.  Let's face it: there just aren't that many words that start with the letter "X" and there certainly aren't very many grapes that do either.  While it's certainly not the most obscure grape on the planet, it sure sounds like it should be.  I've briefly covered Xinomavro on this site before, though I wrote about a white wine produced from the grape.  Since I wrote that post, I've found that there are some white wines made from the Xinomavro grape, but the most exciting examples are universally red.

Xinomavro is found mostly in the Imathia subregion of Macedonia in northern Greece.  Within Imathia is the town of Naoussa where the best Xinomavros are made.  It can be a little tough to find Xinomavro wines because the grapes is not usually mentioned on the label, but rest assured if your label says "Naoussa" then you're in very good shape as this area is a monoculture and does not produce wine from any other grape.  The name Naoussa is a Greek corruption of the Roman name for the village, "Nova Augusta," and the region has produced wine for thousands of years.  When the Ottomans took over Greece, the townspeople of Naoussa were able to negotiate some particularly favorable deals with them and they were able to keep and maintain their vineyards for the duration of the Ottoman occupation (since the Ottomans were Muslim, many regions in Greece were forced to abandon wine production in order to comply with Ottoman religious custom).  Political struggles between local leaders and a disastrous revolt against the Ottoman occupiers in the early part of the 18th Century were major setbacks for the region as they exacted serious financial, territorial and human tolls on the region.  They've since rebounded nicely and the region was given Appellation status in 1971.

Xinomavro itself is a finicky grape to grow.  It doesn't like very dry conditions, is susceptible to several fungal diseases, and is very sensitive to soil types, planting densities and canopy management.  There are also many different clones of the grape which differ markedly from one another in virtually every way that you can think of.  They flower and ripen at different times, have different bunch and berry sizes, have different vinous characteristics (fruit, acidity and tannin) and reach their peak ripeness in different microclimates.  No one clone seems to have the magic combination so many different clones are grown on different sites and blended together in the winery.  Once you get past all the growing troubles and issues in the winery (many clones have poor color stability and can create very odd aromas when vinified), the wine that you get tends to be fairly light in color and very high and acidity and tannin.  In short, it is the polar opposite of the kind of wine that is very much in fashion right now in that it's not very accessible in its youth and tends to demand food.  Needless to say, Xinomavro is facing several uphill battles in the world marketplace.

But is it all worth it?  I was able to sample two different bottlings from the same producer in order to find that out.  The first wine I tried was the basic Boutari Naoussa bottling.  I picked up a bottle of the 2007 vintage for around $18.  The wine had a light ruby color in the glass and and a generous nose of crushed red berries, stewed cherries, rich raspberry and some redcurrant with kind of a leafy, herbal edge.  There was kind of a chocolate note in it too, like a chocolate covered dried cherry.  The texture was a little thin and the wine had a very high acidity and very grippy tannins.  I've seen a lot of comparisons between Xinomavro and Pinot Noir, but I definitely agree more with Konstantinos Lazarakis (in his The Wines of Greece) in that I think the more appropriate comparison is with Nebbiolo based wines from the Piedmont.  This wine demands food (think meats and pretty much anything you'd serve with a Barolo) and has the structure to age for awhile yet.

The second wine I tried was also from Boutari, but it was their Grand Reserve bottling.  I grabbed the 2003 vintage of this for about $40.  The Grand Reserve level from Boutari are held for a few years before they are released.  They see two years in oak barrels that are a little larger than the barriques used in most of the world (those hold about 225 liters while the ones at Boutari are either 400 or 500 liter barrels), half of which are new oak and the other half neutral oak.  They are aged an additional two years in bottle.  In the glass, this was a very pale violet color with little saturation.  The nose had a spicy, woody kind of aroma with redcurrant, stewed tomatoes, crushed sage, tobacco and old leather.  The wine was medium bodied with high acid and high tannins (again, this is a food wine and not an afternoon sipper).  The fruits were faded pretty badly from this with just a vague sense of raspberryish red fruit along with dried sage and something a little floral.  Though the nose was more interesting and complex on this wine, the palate was not as generous as the entry level Naoussa wine and I don't know if it was in a dumb phase or whether this was just an off-year (Greek wine vintage charts aren't very common).  It's not that it was a bad wine, but for the money I'd much rather drink the entry level Naoussa bottling rather than run the risk of a bad vintage of the Grand Reserve, especially since Xinomavro is so finicky in the vineyard and very susceptible to vintage variations.  These Grand Reserve bottlings are famously long-lived (from good years, anyway) so I'd like to have a chance to taste one with about 10 years of age on it and see how it's doing at that point.  In the meantime, if you're in the mood for something Barolo-like but don't want to fork over Barolo bucks, give Xinomavro a shot.

Monday, October 4, 2010

White Xinomavro?

Today's post is a kind of double whammy of weirdness. Honestly, I have no idea what I drank this weekend. I only know what was on the bottle, and frankly, I'm not sure if I trust it.

I went to a local wine shop last week and was scrounging around in their Greek section when I came across a bottle labeled as xinomavro. I've been on the lookout for a good xinomavro based wine for awhile because I've read some really good things about the grape and am curious to check it out myself. One problem: everything I've read has said that xinomavro is a red wine grape and the bottle I picked up was a white wine. I even asked the proprietor about the disconnect between what I'd read and what I was seeing and was met with a shrug and nothing more. Now, I do know that white wine can be made from red grapes; if the grapes are pressed lightly and allowed almost no contact with the skins, then the resulting juice will be clear and will make white wine. I've had a white pinot noir from Germany that was vinified this way which was interesting, but made me wonder why someone would do that to a perfectly good pinot noir grape. In any case, I probably should have put the bottle on the shelf and slowly backed away, but curiosity got the better of me, and here I am, confused and disappointed.

I don't think I'll go into a lot of depth here with any history or interesting facts about xinomavro because, frankly, I have my doubts that what I tasted was actually xinomavro, so I'll save that info for when I get a legitimate bottle. I have tried and tried in vain to find some information somewhere online about a xinomavro white but keep coming up empty. I can't find any reference even to the producer of this bottle online. The only information I have is what's printed on the back label, which is no help at all. It does claim that what is in the bottle is "nothing short of spectacular," which is pretty self-congratulatory, even for a bottle blurb.

So what did I get? As far as I can tell, I got mineral water with a little alcohol added. The wine's color was very pale straw. A whiff of the glass yielded nothing. A vigorous swirl and another sniff: still nothing. My hand on top of the glass, shaking the glass like I was trying to mix up a paint can: still nothing. A very clean, very dumb, very boring nose. If I tried really hard, I could maybe, almost get a whiff of something like melon, but honestly, it could have just been my brain trying desperately to locate anything at all in my glass.

On the palate, still nothing. This was a light to medium bodied wine with very little acidity and almost no flavor. I thought maybe I had over-chilled the wine at first so I let it sit on the counter and come down to room temperature. Now I had room temperature alcoholic mineral water. If I had to make a comparison to another type of wine, well, it's tough to draw a comparison because of how plain this bottling really is. Stainless steel chardonnay minus all the green apple flavors? Muscadet with none of the crisp acidity or minerality? Cold water really comes closest to describing this, I guess.

The lesson here is that research is pretty key when shopping for wine. Hell, I even knew that the word "xinomavro" meant "acid-black" in Greek from some of my reading, and I let the shrug of the salesman convince me that maybe I was thinking of something else and was in fact mistaken. What I ended up with was a disappointment, but luckily it wasn't too costly. The bottle I picked up was a 2006 Eleftherios Estates Xinomavro White for about $14. I can't recommend this wine to anybody except maybe wine drinkers who don't enjoy the taste of wine.