Hello everyone and welcome to another edition of Odds and Ends, where I write about interesting wines that I've tried lately which I don't think merit a full post on their own. All of the wines I'll be writing about today are made from grapes that I've already written extensively about in the past and those relevant links will be included in each write-up. Additionally, all of the wines I'll be looking at today are imported by my good friend Paul Turina, whose new and improved company website can be perused here. I profiled Paul and his company about a year ago (read here) and have since tried a handful of wines from various producers that he imports. All of the wines I'll be writing about below were provided to me as samples by Paul, but all opinions expressed are entirely my own and I have received no compensation for any of the reviews below other than the wines themselves.
About a month after I first met Paul, I was introducing him to some people in the Boston area to try and get his wines distributed here (he is still looking for a Massachusetts distributor, so if anyone is interested, please email him). One of the wines he poured at a meeting that I accompanied him to was this sparkling pink wine made by some distant relatives of his around Lake Garda in Italy. I wasn't able to get a note written on the wine (unlike the sparkling Turbiana he also brought which I wrote about here), but I remember enjoying it quite a bit. I asked him a few weeks ago if he still had any around and he said he had a few bottles from a recent shipment. He handed the bottle off to me the next time he was in town and I promptly popped the cork on it. It's a non-vintage, tank-fermented sparkling wine that is made from about 50% Groppello and 50% Marzemino and retail on the bottle (from Paul's website) is about $17. In the glass the wine was a medium salmon pink color with fine steady bubbles. The nose was fairly intense with aromas of fresh cut strawberry, red cherry, watermelon and pink bubblegum. On the palate the wine was on the lighter side of medium with fairly high acidity. It was dry and tasted like cut watermelon and strawberries with a touch of red cherry. It finished with a clean, almost quinine-like bitterness. It's a fun wine, but it's well structured enough to be serious as well. I drank it around Valentine's Day and it's the perfect wine for that occasion.
His distant Italian relatives not only make wines from Groppello and Turbiana, but also from the Marzemino grape, which I wrote about around a year and a half ago. Paul recently let me try his family's 2009 Marzemino from the Brescia region of Lombardy on the western shore of Lake Garda. In the glass the wine was a medium purple ruby color. The nose was moderately intense with aromas of sour cherry, blackberry, cocoa powder and leather. On the palate the wine was on the lighter side of medium with high acid and fairly soft tannins. There were flavors of tart cherry, blackberry, old dusty leather, black plum and cocoa powder. It was a little lean, but it made up for it with a nice, bright, racy streak of acidity. As I said in my previous post, Marzemino seems like a grape tailor-made for tomato sauces and pizza. I had this wine with a big plate of spaghetti and it was a near perfect match. While I'm not as fond of Marzemino in general as Don Giovanni was, I do like it in the right circumstances and this is a very well made example.
Paul imports wine from a number of different regions in Italy and from a number of different producers. I've taken a look at some of his producers making wines from Vespaiola, Grechetto and Sagrantino in the past, but today I'd like to take a look at a couple of wines from a producer he works with in Friuli called Petrussa. Petrussa is located in the Colli Orientali del Friuli region of northeastern Italy and they deal with many of the grapes that are common to that region. One of them is Friulano, which we took a look at about a year ago. This particular bottling is from the 2009 vintage. In the glass the wine was a medium lemon gold color. The nose was fairly reserved with aromas of white pear, lilac and eucalyptus. On the palate the wine was on the fuller side of medium with fairly low acidity and a kind of oily mouthfeel. There were flavors of eucalyptus, pear and lime with a kind of stewed vegetable quality that I find in many of the wines made from the Friulano grape. This is a well-made wine, but it's a grape that I just can't fall in love with.
The next wine from Petrussa that I tried was made from the Schioppettino grape, which I did like quite a bit when I was able to try it before. This particular wine was from the 2008 vintage and in the glass it was a medium purple ruby color. The nose was moderately intense with aromas of black cherry, plum, fresh turned earth, damp leaves and leather. On the palate the wine was medium bodied with high acidity and soft tannins. There were flavors of tart cherry, blackberry, old leather and wet leaves. Right after the cork was pulled, the wine was searingly, almost abrasively sour but it does round out a bit as it settles into the glass. It's bright and zippy the whole time, though, so fans of high-acid red wines probably need not apply here. The bright, tart fruits are really well balanced by the damp earthy flavors and the wine reminds me a bit of an electrified Pinot Noir. It needs food and it needs high acid food so anything with tomato sauce would go quite nicely here.
A blog devoted to exploring wines made from unusual grape varieties and/or grown in unfamiliar regions all over the world. All wines are purchased by me from shops in the Boston metro area or directly from wineries that I have visited. If a reviewed bottle is a free sample, that fact is acknowledged prior to the bottle's review. I do not receive any compensation from any of the wineries, wine shops or companies that I mention on the blog.
Showing posts with label Odds and Ends. Show all posts
Showing posts with label Odds and Ends. Show all posts
Friday, March 1, 2013
Friday, February 1, 2013
Odds and Ends - Sparkling Turbiana, Picpoul de Pinet, Frappato, Verdejo & Listán Blanco
Hello everyone and welcome once again to my erratic Odds and Ends feature, where I take a look at a few wines I've tried recently that I feel either don't warrant a full post or which feature grapes that I've already written a full post about. I've got a handful of interesting wines here that I hope you'll enjoy reading about, so without further ado, let's get to them!
I've written several times (as in my posts on Groppello, Vespaiola, Grechetto and Sagrantino) about the wines of Paul Turina, an Italian importer from Maine who is a friend of mine. Paul has some distant relatives who make wine in the area around Lake Garda in Italy and I've written about some of their offerings in the post on Groppello linked above. His family also works with the Turbiana grape, which, as we discovered in my post on that grape last year, is actually Verdicchio. I've tried a sparkling Verdicchio from the Marche, but I've never tried a sparkling Turbiana from Lugana so when Paul gave me the opportunity to taste his family's wine, I graciously took him up on it. In the glass the wine was a fairly pale lemon gold color with steady bubbles. The nose was somewhat reserved with aromas of apple and pineapple and little else. On the palate the wine was on the lighter side of medium with fairly high acidity and a loose bubble structure. There were flavors of ripe apple, pear, baked white fruits, candied apple and pineapple. This is a tank fermented wine that has more complexity and depth than your average prosecco. It's really a lovely little bottle and those interested in trying it are advised to contact Paul via his website.
Next up is a wine made from one of the very first grapes that I wrote about, Picpoul Blanc. Even though that post was only the tenth one that I had written, I really don't have any new information to add to it. Picpoul is a pretty straightforward grape without any real controversies or interesting family connections. I'm still a big fan of it, though, and this bottle, the 2010 vintage from the Saint-Peyre winery in the Coteaux du Languedoc region of France, was given to me as a gift by my wife (retail is around $11). In the glass the wine was a fairly light silvery lemon color. The nose was fairly intense with aromas of grapefruit, grapefruit peel, pear and some grassy herbs. On the palate the wine was medium bodied with fairly high acidity. There were flavors of pear, grapefruit peel, golden apple, lemon and cut grass. Picpoul always reminds me a bit of Sauvignon Blanc, and this wine was certainly no exception. It's bright and zippy with a wonderful wild, grassy vein running through it as well.
I've mentioned one of my favorite shops, The Wine Bottega in the North End of Boston, over and over again because they always have an interesting selection and are always incredibly nice and knowledgeable about their merchandise. Matt is one of the co-owners of the shop and he has recently started his own importing label on the side called Selectio Naturel. Like the Bottega, Selectio Naturel is focused on representing small producers making natural wines. One of those producers is Lamoresca whose vineyards are located deep in the hills of central Sicily at an altitude around 430 meters above sea level. Their approach in the vineyard and in the winery is minimalistic, and you can read more about it here. Matt imports their Rosso, which is a blend of Nero d'Avola and Frappato, their Bianco, a blend of Vermentino Corse and Roussanne which I'll have a full review of shortly, and the Nerocapitano, which is 100% Frappato. Frappato is absolutely one of my favorite grapes and in my prior post on it, I got a little carried away with an example from Occhipinti, so I had high hopes for this bottle, the 2011 vintage, which I picked up at the Bottega for around $30. In the glass this wine was a fairly light pinkish ruby color. The nose was intense with aromas of red cherry, wild strawberry, raspberry and rose petals. On the palate the wine was medium bodied with fairly high acidity. There were flavors of bright red cherry, raspberry, rose water and wild strawberry. While it wasn't as intoxicating as the wine from Occhipinti, it was still gorgeous with a beautiful perfume and pure fruit flavors on the palate (and it costs about $20 less per bottle).
Another one of my very early posts was on the Verdejo grape from Spain. In that post, I wrote that Verdejo was best known in Rueda, Spain, but the bottle that I was able to try was from La Mancha, which is a little further south, a little further inland, and a bit hotter and drier than Rueda. I enjoyed the bottle that I had picked up, but I was curious to try a more representative sample from an area where the grape was more traditional and more highly regarded. I found the 2009 Shaya Verdejo ($17) a few months after I wrote my initial post and have had the tasting note kicking around in a notebook for quite some time now. In the glass the wine was a pale silvery lemon color. The nose was moderately intense with aromas of pear, white peach and fresh cut lemon. On the palate the wine was medium bodied with medium acidity. There were flavors of pear, lemon peel, and lees with a stony, chalky minerality on the finish. It was an OK wine, but I didn't like it as much as the example from La Mancha, which was actually a little bit cheaper than this bottle.
A few months ago, I was shopping at another one of my favorite local stores, the Spirited Gourmet in Belmont, and came across a bottle of wine made from the Listán Blanco grape (the 2008 Bodegas Carballo, which cost around $24). I had recently picked up a few bottles made from Listán Negro and was excited to find something that I didn't think I had tried before. I bought the bottle without asking anyone about it or bothering to look it up on my phone and so was somewhat disappointed when I looked it up at home and discovered that Listán Blanco is actually just another name for Palomino, which I've already written about. This wine was from the Canary Islands, though, and was made with some skin contact, so I was curious to see what it was like. In the glass the wine was a fairly deep lemon gold color just starting to go bronze. The nose was intense with aromas of red apples, apple cider, fresh cracked pecans, seawater and autumn spice. On the palate the wine was medium bodied with medium acidity. There were flavors of baked apple, apple cider, fresh cracked pecans, toasted walnuts, autumn spice and dried leaves. When I used to jump into raked leaf piles as a kid, I remember there being a particular smell and taste that would result from the leaves being crushed by our bodies. A fine powder would form and coat the inside of our noses, our mouths and our clothes and that powder had a very distinct kind of taste and smell that I had essentially forgotten about until I drank this wine. Everything about this bottle screams autumn and I almost felt like the wine had a kind of mulled character to it. This was miles better than the Palomino I tried previously and it gives a hint as to what Palomino may be capable of in careful hands.
I've written several times (as in my posts on Groppello, Vespaiola, Grechetto and Sagrantino) about the wines of Paul Turina, an Italian importer from Maine who is a friend of mine. Paul has some distant relatives who make wine in the area around Lake Garda in Italy and I've written about some of their offerings in the post on Groppello linked above. His family also works with the Turbiana grape, which, as we discovered in my post on that grape last year, is actually Verdicchio. I've tried a sparkling Verdicchio from the Marche, but I've never tried a sparkling Turbiana from Lugana so when Paul gave me the opportunity to taste his family's wine, I graciously took him up on it. In the glass the wine was a fairly pale lemon gold color with steady bubbles. The nose was somewhat reserved with aromas of apple and pineapple and little else. On the palate the wine was on the lighter side of medium with fairly high acidity and a loose bubble structure. There were flavors of ripe apple, pear, baked white fruits, candied apple and pineapple. This is a tank fermented wine that has more complexity and depth than your average prosecco. It's really a lovely little bottle and those interested in trying it are advised to contact Paul via his website.
Next up is a wine made from one of the very first grapes that I wrote about, Picpoul Blanc. Even though that post was only the tenth one that I had written, I really don't have any new information to add to it. Picpoul is a pretty straightforward grape without any real controversies or interesting family connections. I'm still a big fan of it, though, and this bottle, the 2010 vintage from the Saint-Peyre winery in the Coteaux du Languedoc region of France, was given to me as a gift by my wife (retail is around $11). In the glass the wine was a fairly light silvery lemon color. The nose was fairly intense with aromas of grapefruit, grapefruit peel, pear and some grassy herbs. On the palate the wine was medium bodied with fairly high acidity. There were flavors of pear, grapefruit peel, golden apple, lemon and cut grass. Picpoul always reminds me a bit of Sauvignon Blanc, and this wine was certainly no exception. It's bright and zippy with a wonderful wild, grassy vein running through it as well.
I've mentioned one of my favorite shops, The Wine Bottega in the North End of Boston, over and over again because they always have an interesting selection and are always incredibly nice and knowledgeable about their merchandise. Matt is one of the co-owners of the shop and he has recently started his own importing label on the side called Selectio Naturel. Like the Bottega, Selectio Naturel is focused on representing small producers making natural wines. One of those producers is Lamoresca whose vineyards are located deep in the hills of central Sicily at an altitude around 430 meters above sea level. Their approach in the vineyard and in the winery is minimalistic, and you can read more about it here. Matt imports their Rosso, which is a blend of Nero d'Avola and Frappato, their Bianco, a blend of Vermentino Corse and Roussanne which I'll have a full review of shortly, and the Nerocapitano, which is 100% Frappato. Frappato is absolutely one of my favorite grapes and in my prior post on it, I got a little carried away with an example from Occhipinti, so I had high hopes for this bottle, the 2011 vintage, which I picked up at the Bottega for around $30. In the glass this wine was a fairly light pinkish ruby color. The nose was intense with aromas of red cherry, wild strawberry, raspberry and rose petals. On the palate the wine was medium bodied with fairly high acidity. There were flavors of bright red cherry, raspberry, rose water and wild strawberry. While it wasn't as intoxicating as the wine from Occhipinti, it was still gorgeous with a beautiful perfume and pure fruit flavors on the palate (and it costs about $20 less per bottle).
Another one of my very early posts was on the Verdejo grape from Spain. In that post, I wrote that Verdejo was best known in Rueda, Spain, but the bottle that I was able to try was from La Mancha, which is a little further south, a little further inland, and a bit hotter and drier than Rueda. I enjoyed the bottle that I had picked up, but I was curious to try a more representative sample from an area where the grape was more traditional and more highly regarded. I found the 2009 Shaya Verdejo ($17) a few months after I wrote my initial post and have had the tasting note kicking around in a notebook for quite some time now. In the glass the wine was a pale silvery lemon color. The nose was moderately intense with aromas of pear, white peach and fresh cut lemon. On the palate the wine was medium bodied with medium acidity. There were flavors of pear, lemon peel, and lees with a stony, chalky minerality on the finish. It was an OK wine, but I didn't like it as much as the example from La Mancha, which was actually a little bit cheaper than this bottle.
A few months ago, I was shopping at another one of my favorite local stores, the Spirited Gourmet in Belmont, and came across a bottle of wine made from the Listán Blanco grape (the 2008 Bodegas Carballo, which cost around $24). I had recently picked up a few bottles made from Listán Negro and was excited to find something that I didn't think I had tried before. I bought the bottle without asking anyone about it or bothering to look it up on my phone and so was somewhat disappointed when I looked it up at home and discovered that Listán Blanco is actually just another name for Palomino, which I've already written about. This wine was from the Canary Islands, though, and was made with some skin contact, so I was curious to see what it was like. In the glass the wine was a fairly deep lemon gold color just starting to go bronze. The nose was intense with aromas of red apples, apple cider, fresh cracked pecans, seawater and autumn spice. On the palate the wine was medium bodied with medium acidity. There were flavors of baked apple, apple cider, fresh cracked pecans, toasted walnuts, autumn spice and dried leaves. When I used to jump into raked leaf piles as a kid, I remember there being a particular smell and taste that would result from the leaves being crushed by our bodies. A fine powder would form and coat the inside of our noses, our mouths and our clothes and that powder had a very distinct kind of taste and smell that I had essentially forgotten about until I drank this wine. Everything about this bottle screams autumn and I almost felt like the wine had a kind of mulled character to it. This was miles better than the Palomino I tried previously and it gives a hint as to what Palomino may be capable of in careful hands.
Labels:
Canary Islands,
Coteaux du Languedoc,
Frappato,
Italy,
Listán Blanco,
Lugana,
Odds and Ends,
Palomino,
Picpoul,
Red Wine,
Rueda,
Sicily,
Spain,
Sparkling Wine,
Turbiana,
Verdejo,
Verdicchio,
White Wine
Friday, January 11, 2013
Odds and Ends - Sparkling Malbec, Botrytized Rkatsiteli, White Pinot Noir, Rufete Rosado and Pignoletto Redux
Today I'd like to introduce a new erratic feature where I provide a few tasting notes for some unusual wines that I've come across lately that I either don't want to write a whole post about or which feature grapes that I've already written a full post about and just don't want to fully revisit. The former group mostly features wines made from common grapes but made in unusual styles and while I enjoy drinking these wines, I find that I don't have much to say about them, so when I go to write a new post, I tend to skip over those entries in my tasting notebook for those featuring novel grapes. I'm starting to accumulate quite a few notes like that, though, so I decided to unload some of them here. I also have a tendency to buy bottles made from unusual grapes I've already covered here so that I can compare them to the wines I've previously written about. I used to just updat those prior posts with these new tasting notes, but since new posts get more readers than old ones, I thought that those notes may be missed by many readers, so I decided to include them in this little feature as well.
The first wine I'd like to write about is the NV Domaine Augis "La Rosée" sparkling Malbec from the Valency region of the Loire Valley in France. Though Malbec is currently the superstar grape of Argentina, its original home is France and in many French areas, including this one, the grape is known as Côt. This is a traditional method rosé sparkler that I picked up for around $17 from my friends at the Wine Bottega. In the glass the wine was a fairly deep violet pink color with vigorous bubbles. The nose was somewhat reserved with aromas of fresh cut strawberries and crushed raspberries. On the palate the wine was light bodied with fairly high acidity and smooth, creamy bubbles. There were flavors of bitter cherry, fresh strawberry, red currant and crushed red berries. I found the wine very clean and refreshing and enjoyed it with a pan seared swordfish steak. I think it's a tremendous value for a traditional method sparkler at less than $20 a bottle and would recommend it unreservedly.
The next wine I'd like to talk about is the 2006 Satrapezo "Gviani," which is a dessert wine made from botrytized Rkatsiteli grapes (retail around $30 for 375 mL). I've written about Rkatsiteli many times (here and here and here), but this is the first dessert wine made from the grape that I've been able to try. The grapes for this wine were grown on the banks of the Alazanis river in Georgia where mists and morning dew from the river combined with warm afternoon sun provide the ideal conditions for the development of botrytis cinerea, which is perhaps better known as noble rot. This fungus infects the berries by piercing the grape's skin, causing much of the water in the berry to evaporate, leaving a dense, sticky, sugary liquid behind. This liquid is fermented as much as possible and, in this case, aged for a short time in oak barrels prior to bottling. In the glass the wine was a fairly deep lemon gold color. The nose was fairly reserved with aromas of apricot, mint, orange marmalade, vanilla and pineapple. On the palate the wine was full bodied with fairly high acidity. It was very sweet with flavors of apricot, orange marmalade, honey, red grapefruit and peach cobbler with a clean, minty finish. I found this wine pretty shut down at fridge temp, but much more generous and open at cellar temp. I enjoyed this wine and thought it was a reasonable value, but it really lacked the complexity of fine Sauternes or BA/TBA wines from Germany. Fans of botrytized wines should probably check this out, but connoisseurs may want to skip it.
Next up is the 2008 Trenz Spätburgunder Blanc de Noir from the Rheingau region of Germany, which I picked up from my friends at Curtis Liquors for around $18. Spätburgunder is the German word for Pinot Noir and while German Pinot Noir certainly isn't that unusual, white wines made from the grape are. I took a look at a Cabernet Franc wine (and a Nebbiolo wine) made using this method a few months back so readers looking for technical information on how the wine is made are referred to the Cab Franc post. In the glass the wine was a medium lemon gold color. The nose was fairly intense with funky, leesy aromas of candied strawberry, watermelon and candied apple. It smelled more like a rosé than a white wine, which is what I also found in that Blanc de Franc. On the palate the wine was medium bodied with fairly high acidity. It was off-dry with honey, peach, candied strawberry, candied green apple and lemon curd flavors. It was bright and zippy and walked that line between sweet and tart that the Germans are so fond of exploring. I've had a few other Blanc de Noir style Pinot Noir table wines before, but this is definitely the best that I've ever had.
Next up is the 2008 Vina Salamanca Rufete rosado, which I also picked up from Curtis Liquors for around $13. I wrote about the Rufete grape a few years back, but at the time, the only wine I could find containing the grape was 50% Rufete and 50% Tempranillo. This wine is from the same producer, but is made from 100% Rufete grapes. In the glass the wine was a light salmon pink color. The nose was moderately intense with funky, leesy aromas of strawberry and not much else. On the palate this wine was on the lighter side of medium with fairly high acidity. There were flavors of red cherry, fresh cut strawberry, raspberry and a touch of leesy funk. This wine was definitely in decline a bit as it was a few years old by the time I got my hands on it, but it was still crisp, fruity and refreshing, which is all I really ask of my pink wines. I know that there are red wines made from the Rufete grape out there, but I have been unable to track any of them down thus far. When I finally do, you can bet that tasting note will be up on the site somewhere.
The final wine that I'd like to write about was the 2008 Branchini Pignoletto from the Emilia-Romagna region of Italy (which I picked up at Panzano Proviste for around $18). I wrote about the Pignoletto grape a few months back and took a look at two wines from Alberto Tedeschi which were very good but were hardly what you might consider traditional. When I came across this example from Branchini, I decided to try it out to see what a regular table wine made from the grape might be like. In the glass the wine was a fairly deep lemon gold color. The nose was somewhat reserved with ripe apple, lemon and mint aromas along with something vaguely floral. On the palate the wine was on the fuller side of medium with medium acidity. There were flavors of white peach, mint and Meyer lemon with a bit of nuttiness on the finish. The citrusy lemon notes were dominant at fridge temp, but the peachy flavors woke up and became a bit more generous as the wine warmed up. This wine was probably a little over the hill, but it still provided an interesting counter point to the more avant garde efforts from Tedeschi. Overall, I thought it was OK, but probably not worth the price tag. The Tedeschi wines were much more interesting and characterful and only a few dollars more than this example, thought they're also probably more of an acquired taste.
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